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Watercolors with flower motifs as decoration for a home interior
February 12, 2023
Why flowers on paper suit almost any interior, bring color into it and — unlike a bouquet — require no care at all.
How to choose a frame for an oil painting with a nature motif
February 12, 2023
How to choose the style, proportions and color of a frame, when it is worth making a visualization before the purchase and why it is sometimes best to hang a painting entirely without framing.
Nature photographs as decoration for company interiors
February 12, 2023
whether it is worth hanging nature photographs in an office interior
Inkography (giclée print) — what it is
February 12, 2023
How inkography differs from an ordinary print, why it does not fade and what paper I make my own on.
How to choose a painting for a child's room
How to choose a painting for a child's room
We have lived to see wonderful times, when a child's room is no longer just a space ruled by Chinese toys and Disney illustrations.
The fashion for ecological, natural materials and the abundance of good children's illustration mean that the eyes of our little ones can now enjoy good design and interesting colors.
How to choose a painting for your interior
Choosing a painting for an interior is a serious decision, because we are choosing a work that we will look at every day for many years...
How to become an artist
The question I hear most often, and the reason why I always ask what exactly is meant.
Wet-on-wet watercolour: how to paint soft washes and flowers
Wet-on-wet looks like an accident, but it comes down to catching one moment. On when the sheet is ready, how strong the mix has to be, why the technique suits meadows and mist, and what it will not forgive.
Glazing in oil painting: what it is and how to apply it
A glaze is a thin transparent film of oil paint laid over a dry layer. On how it differs from mixing colours on the palette, how to keep the fat over lean rule and why a single glaze can mean waiting a week.
Impasto: painting with texture and thick oil paint
In impasto the paint stops being only colour and becomes a material that casts its own small shadow. On tools, on how such a picture behaves under changing light, and on the traps of a thick layer.
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